Shakespeare was actually a Black Woman, new book claims
Who Was Emilia Bassano?
A provocative new book by feminist historian Irene Coslet asserts that the true genius behind William Shakespeare’s celebrated plays is none other than Emilia Bassano, a black Jewish woman. The claims are stirring debates across literary circles.
In The Real Shakespeare, Coslet posits that Elizabethan society favored a “white male genius” narrative, overshadowing the contributions of women and people of color. Bassano, who had connections to the theatre as the mistress of Henry Carey, is suggested to have adopted “Shakespeare” as a pseudonym. While no contemporaries disputed Shakespeare’s authorship during his lifetime, including rivals like Ben Jonson, Coslet’s claims challenge the established narrative.
The assertion that Shakespeare was a woman of color is not entirely new; it resonates with ongoing discussions among scholars regarding the Bard’s influences and origins. While Emilia Bassano was indeed a talented poet and the first woman in England to publish original poetry under her own name, the question remains: does this make her the true author of Shakespeare’s works?
Coslet’s argument raises critical issues regarding the historical erasure of women and minorities. Yet, some critics argue that without substantial evidence, the claims may seem like a sensationalist attempt to rewrite history rather than a genuine reevaluation of literary canon.
This narrative not only opens the door for discussions about the historical contributions of marginalized groups in literature but also highlights the ongoing struggle for representation in the arts. As we reconsider who gets credit in literary history, the implications of such claims could reshape our understanding of cultural heritage and the complexities of authorship.